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var mess = new Array('<p> &quot;...<em>you get top-of-the-line information, contacts, resources, and references directly from the best people in the independent film industry</em>. &quot; - Cameron Watson, 2006 Forum panelist and director, <em>Our Very Own</em></p>','<p align=&quot;right&quot;>&quot;<em>The Filmmaker Forum gives you the nuts and bolts of everything you need to know...</em>&quot; - Linda Lichter, 2005 Forum panelist, Lichter, Grossman, Nichols, Adler, and Goodman</p>','<p><em>&ldquo;The Filmmaker Forum gives you the nuts and bolts of everything you need to know about the business side and economics of selling your independent film.&rdquo; - </em>Linda Lichter, 2005 Forum Panelist; Lichter, Grossman, Nichols, Adler, and Goodman</p>','<p><em>&quot;Selling your film without going to the Filmmaker Forum is like jumping out of a plane without a parachute.&quot; </em>- Jeremy Coon, 2005 Forum Panelist and producer, <em>Napoleon Dynamite</em></p>','<p>&quot;<em>The Filmmaker Forum is a wake-up call. It\'s a chance to challenge the current model of thinking about getting your film made, seen, and distributed.</em>&quot; - Lance Weiler, 2006 Forum panelist and director, <em>Head Trauma</em></p>','<p>&quot;<em>With so much confusion surrounding the ways independent films really get financed and produced, events like Film Independent\'s Filmmaker Forum are invaluable.  New producers, directors and, indeed, anyone looking for a quick snapshot of where the industry is now will learn a lot at this conference</em>.&quot; - Scott Macaulay, 2006 Forum Panelist and editor, <em>Filmmaker Magazine</em> </p>','<p><em>The Filmmaker Forums are&nbsp;so important to filmmakers because of the enormous amount of invaluable information that is shared. As a first time filmmaker, I was constantly searching for \'how to do this or that\' or \'where do I get this from?\' or \'who is the best person for that?\' Being able to participate in these Forums, you get top-of-the-line information, contacts,&nbsp;resources, and references directly from the best people in the&nbsp;independent film industry.</em>&quot; - Cameron Watson, 2006 Forum Panelist and director, <em>Our Very Own</em> </p>','<p>&quot;<em>An open, relaxed yet focused atmosphere where novices and experienced film makers can meet, discuss, argue, and solve issues common to all. A way to hear, question, and learn from the war stories of those who\'ve been there before.</em>&quot; - Callum Greene, 2006 Forum Panelist and co-producer, <em>Marie Antoinette</em> </p>','<p>&quot;<em>The Filmmaker Forum gives you the nuts and bolts of everything you need to know about the business side and economics of selling your independent film.&quot; - </em>Linda Lichter, 2007 Forum Panelist; Lichter, Grossman, Nichols, & Adler</p>','<p>&quot;<em>Selling your film without going to the Filmmaker Forum is like jumping out of a plane without a parachute.</em>&quot; - Jeremy Coon, 2005 Forum Panelist and producer, <em>Napoleon Dynamite</em></p>','<p>&quot;<em>An open, relaxed yet focused atmosphere where novices and experienced film makers can meet, discuss, argue, and solve issues common to all.  A way to hear, question, and learn from the war stories of those who\'ve been there before.</em>&quot; - Callum Greene, 2006 Forum Panelist and co-producer, <em>Marie Antoinette</em> </p>','<p>&quot;<em>Film Independent bridges the gap between filmmakers and Hollywood, but always maintains and promotes an independent spirit. The events and panels break down the barriers and allow for actual learning.</em>&quot; - Dan Dubiecki, 2006 Forum Panelist and producer, <em>Thank You For Smoking</em></p>');
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