Myriam Schroeter is a producer whose work spans commercial, narrative and conceptual art. Select credits include independent films Sing Sing (A24, Oscar Nominated), Between The Temples (Sundance 2024, A24), Sorry, Baby (Sundance 2025, A24, Cannes Fortnight) and Ira Sachs’ upcoming The Man I Love. Her work with multidisciplinary artist Adam Pendleton include three films in his dedicated Who is Queen? installation (MoMA) and Ruby Nell Sales portrait (Whitney Biennial 2022 – Quiet As It’s Kept). She spent two years working as a creative development executive at Big Beach Films. She is a graduate of Northwestern University and resides in Brooklyn.