Alfred P. Sloan Grants
Proudly supporting science, technology and math-themed storytelling since 2007
For over a decade, Film Independent and the Alfred P. Sloan Foundation together have encouraged filmmakers to create more realistic and accurate stories about science and technology to challenge existing stereotypes about scientists and engineers in the popular imagination.
Projects eligible for support through Film Independent’s Sloan program feature scientific, mathematical or technological themes, or have a lead character that is a scientist, engineer or mathematician. Science fiction films or documentaries are not eligible for Sloan foundation grants.
Past recipients of Film Independent’s Sloan grants include The Man Who Knew Infinity, Valley of Saints, Future Weather and The House of Tomorrow. Some well-known examples of films and TV series with stories inspired by science include Silicon Valley, Hidden Figures, The Theory of Everything, The Big Bang Theory and Scrubs.
Film Independent supports Sloan-eligible projects at various stages:
- A $10,000 Episodic Lab Grant is awarded to a Sloan-eligible project in the Episodic Lab.
- A $30,000 Producing Lab Grant is awarded to a Sloan-eligible project in the Producing Lab.
- A $20,000 Fast Track Grant is awarded to a Sloan-eligible project in the Fast Track finance market.
- A $50,000 Sloan Distribution Grant is awarded to a Sloan-eligible project that is entering its distribution phase.
Each of the Sloan grantees in an Artist Development program are paired with a Science Advisor who will review their project and advise the grantee on their project from a scientific perspective. All Sloan grantees are featured on the Sloan Science and Film website, an online publication presented by the Museum of the Moving Image.
About the Alfred P. Sloan Foundation
The Alfred P. Sloan Foundation is a New York based, philanthropic, not-for-profit institution that makes grants in three areas: research in science, technology, and economics; quality and diversity of scientific institutions; and public engagement with science. Sloan’s program in Public Understanding of Science and Technology, directed by Doron Weber, supports books, radio, film, television, theater and new media to reach a wide, non-specialized audience and to bridge the two cultures of science and the humanities.
Sloan’s Film Program encourages ﬁlmmakers to create more realistic and compelling stories about science and technology and to challenge existing stereotypes about scientists and engineers in the popular imagination. Over the past two decades, Sloan has partnered with some of the top ﬁlm schools in the country–including AFI, Carnegie Mellon, Columbia, NYU, UCLA and USC plus six public film schools–and established annual awards in screenwriting and ﬁlm production, along with an annual best-of-the-best Student Grand Jury Prize administered by the Tribeca Film Institute. The Foundation also supports screenplay development programs with the Sundance Institute, Tribeca Film Institute, SFFILM, the Black List, the Athena Film Festival, the North Fork TV Festival, and Film Independent’s Producing Lab and Fast Track program and has helped develop over 25 feature films including Michael Almereyda’s Tesla, Thor Klein’s Adventures of a Mathematician, Jessica Oreck’s One Man Dies a Million Times, Michael Tyburski’s The Sound of Silence, Shawn Snyder’s To Dust, Logan Kibens and Sharon Greene’s Operator, Morten Tyldum’s The Imitation Game, and Matthew Brown‘s The Man Who Knew Inﬁnity. The Foundation has supported feature documentaries such as Picture a Scientist, Coded Bias, Oliver Sacks: His Own Life, The Bit Player, Bombshell: The Hedy Lamarr Story, Particle Fever, and Jacques Perrin’s Oceans. The Foundation’s book program includes support for Margot Lee Shetterly’s Hidden Figures, which became the highest grossing Oscar-nominated film of 2017 and a social and cultural milestone.
For more information about the Alfred P. Sloan Foundation, please visit www.sloan.org and follow the Foundation at @SloanPublic on Twitter and Facebook.
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