Programs Wed 2.25.2026

Big Ideas, Bold Voices: Meet the 2026 Amplifier Fellows PLUS $180K in Grants

Film Independent has announced the six filmmakers selected for the fifth annual Amplifier Fellowship — and with $180,000 in unrestricted grants on the table, this year’s cohort is poised to make serious waves.

Each Fellow will receive a $30,000 grant along with a year-long program of creative and strategic support, customized mentorship from industry advisors and a Film Independent Board member, professional coaching in partnership with Renee Freedman & Co, and financial and business advisement in partnership with The Jill James.

The 2026 Fellowship is supported by Founding Sponsor Netflix and its Fund for Creative Equity, continuing a five-year partnership dedicated to championing bold storytelling across fiction and nonfiction.

As Angela C. Lee, Film Independent’s Director of Artist Development, put it, “We are thrilled to partner with Netflix for a fifth year to support this incredibly talented cohort of filmmakers across fiction and non-fiction in our 2026 Amplifier Fellowship and provide the crucial granting, resources and community for these artists to thrive as both artists and entrepreneurs.”

That balance — artistry and entrepreneurship — defines the Amplifier Fellowship. It’s not just about finishing a film, it’s about equipping filmmakers with the infrastructure, strategy and confidence to navigate a rapidly evolving industry.

And to show what a potent combination those traits end up being, just look to our past Fellows. They include J.M. Harper, whose Amplifier supported Soul Patrol won the U.S. Documentary Directing Award at Sundance; Contessa Gayles, whose Songs from the Hole, also Amplifier supported, won the Cinema Eye Honors Heterodox Award and is now available on Netflix; and David Fortune, whose Colorbook premiered at Tribeca and earned a NAACP Image Award nomination after he was named one of Variety’s Top 10 Directors to Watch.

The 2026 Amplifier Fellows and their projects are:

 

AKIL RASHAD ANDERSON Writer/Director

Akil Rashad Anderson is a Haitian American screenwriter and director from Miami. Months after receiving his MFA in Screenwriting from USC as a George Lucas Scholar, Anderson was hired as a staff writer on Beacon 23. He is a 2026 Film Independent Amplifier Fellow and an inaugural alumni of Rideback RISE. His proof of concept for Mr. Negro had its world premiere at Fantasia International Film Festival 2025. The son of a rap artist and grandson of a preacher, Anderson’s work often centers on ambition, the underworld and the surreal. Outside of film, he’s a beatmaker, birdwatcher and trombonist.

Project: Mr. Negro (Fiction Feature)
Logline: An elderly man discovers his deadbeat son transformed into an otherworldly creature, triggering a nightmarish odyssey in search of a cure for his ghastly baby boy.

 

AURORA BRACHMAN Director/Producer

Aurora Brachman is an Emmy-winning documentary filmmaker named one of Filmmaker Magazine’s 25 New Faces of Independent. Her film, Hold Me Close, premiered at Sundance 2025. Her shorts When the Revolution Doesn’t Come, Club Quarantine, Joychild and Still Waters were acquired by The New YorkTimes, The New Yorker, The Guardian and POV. She co-produced Apple TV+’s Girls State (Sundance 2024) and A24’s Stephen Curry: Underrated (Sundance 2023). Brachman is supported by The Sundance Institute, Firelight Media, Film Independent, Chicken & Egg, The Gotham and is one of Vimeo’s Breakout Creators. She holds an MFA in Documentary Film from Stanford University.

Project: Dear You (Nonfiction Feature)
Logline: After escaping an abusive marriage and fleeing to the US, Grace James finds herself trapped in the US asylum system for 10 years.

 

CLAIRE BROOKS Producer

Claire Brooks is an independent film producer whose work sits at the intersection of storytelling, creative infrastructure and cultural policy. She served as Head of Production at Stephanie Allain’s Homegrown Pictures, overseeing independent features including Exhibiting Forgiveness, the debut film by Titus Kaphar, which premiered in competition at Sundance. Brooks also established Netflix’s Emerging Filmmaker Initiative, producing studio-level short films helmed by emerging voices. She is a 2025–2026 Women In Film Producing Fellow, holds an MFA in Creative Producing from Columbia University and a BA from NYU Gallatin and is the Executive Director of the Association of Film Commissioners International.

Project: The Presser (Fiction Feature)
Logline: When a small-town business owner rents his store to a local politician, he lands himself and his employees at the center of a media circus.

 

A. SAYEEDA MORENO Writer/Director

A. Sayeeda Moreno is a director/screenwriter whose films draw from the mythology of the NYC metropolis where she was born and the bohemian cast of characters from her childhood home who shaped her worldview. Her character-driven body of work, filtered through her own body, boldly explores our humanity, resilience and love. Moreno is a Film Independent, Sundance Women in Finance and Tribeca All Access Fellow and SFFilm Society Hearst Grant recipient. She is developing the coming-of-age romance Out in the Dunes and memoir-based essay film An Ambivalent Daughter. Moreno earned her MFA from NYU Tisch and teaches at Bard College.

Project: Out in the Dunes (Fiction Feature)
Logline: Provincetown/1992: In this summer romance, Soledad, a heartbroken romantic, starts a passionate affair with Jules, a butch lesbian artist who challenges her belief in love.

 

PHILIP THOMPSON Writer/Director

Philip Thompson is a Brooklyn-based filmmaker named one of Filmmaker Magazine’s 25 New Faces of Independent Film in 2023 and a Sundance Ignite x Adobe and NYFF Artists Academy Fellow in 2024. His work explores popular media’s influence on culture, focusing on the emotional impact of media consumption and the one-sided relationship between viewers and image subjects. His films, Living Reality and I’m At Home, have screened at festivals such as Palm Springs, Atlanta, Indie Memphis, New Orleans and Chicago Critics, amongst others. His debut feature, Dance Monkey Dance, was recently selected for the Sundance Screenwriters Lab.

Project: Dance Monkey Dance (Fiction Feature)
Logline: A fictional found-footage documentary tracing a Black comedian whose success catering to white audiences erodes his identity and reveals fame as a form of control.

 

HANH TRAN Director/Producer

Thanh Tran is an Amerasian Vietnamese and Black filmmaker, music artist and community organizer. He co-founded Uncuffed, an award-winning podcast amplifying incarcerated voices, and ForwardThis Productions, one of the first film collectives led entirely by incarcerated people. He is co-founder of New Krma Media, a worker-owned social enterprise supporting system-impacted artists through music, film and activism. He directs Finding Má, a feature-length documentary following his family’s search for their unhoused mother after decades of separation. He also serves as Program Manager for the Returning Filmmaker Fellowship and Board Member of the Andrus Family Foundation.

Project: Finding Má (Nonfiction Feature)
Logline: After decades apart, an Amerasian Vietnamese and Black family separated by foster care and prison reunite to heal, beginning with searching for their unhoused mother.

 
 

For over 40 years, Film Independent has helped filmmakers get their projects made and seen. The nonprofit organization’s core mission is to champion creative independence in visual storytelling and support a community of artists who embody diversity, innovation and uniqueness of vision.

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